This project is wholly inspired by Jane Stafford and her incredible sense of color, approach to design, and ability to teach! Read about the six projects that I wove from a single warp.
All in Weaving
It has been 4 months since the release of my book ‘Krokbragd - How to Design & Weave’. To date, over 1500 copies have been purchased. I am overwhelmed by the book’s reception around the world and the many wonderful reviews it has received in such a variety of venues. To each of you who have purchased the book and especially to those who have recommended it, I offer my sincerest gratitude.
At this point, some housekeeping is in order.
After weaving the project samples for my book, I had a bit of an 8/4 cotton warp remaining on the loom. I perused my stack of Handwoven magazines and saved project files for some inspiration and decided upon weaving a little overshot on this remnant.
IT’S FINALLY READY!
If you thought that I dropped off the face of the earth and took the Krokbragd book with me, be assured that I am still here and fervently working on publishing.
Although the postings here have been a bit quiet, I’m busy behind the scenes working on ‘Krokbragd: How to Design & Weave’. Many of you have inquired about the progress of the book, so I thought I’d give an update and share some sneak peeks.
In June's post 'ABC-Alpaca, Blending, & Color', I prepped and spun a fun, textured, alpaca/merino blend yarn. At the time, I couldn't show you the finished project because it was for a Guild challenge that wasn't yet completed. Well, the Guild members have now met and revealed their projects, so I can share what I created.
Recently I was commissioned to weave guest towels for several customers. For readers who are non-weavers, I thought it might be interesting to illustrate what goes into the making of a 12" x 17" guest towel. It's more than just throwing the shuttle back and forth!
I'm excited to bring you a video tutorial on a fancy fringe technique that includes braiding, interlacements, and beading. I've worked the technique on a handwoven scarf, but it is not limited to only handwoven items. This method could be used on any fringed item, whether handmade or purchased.
Today's post goes into some of the details and insight I've gathered while weaving Samplers II, III, and IV from the book Weft-Faced Pattern Weaves-Tabby to Taqueté by Nancy Hoskins. This is a more technical post; still I hope everyone will find something interesting, or at the very least, you will enjoy the photos.
As fiber artists and crafters, how many times have we heard the admonition "before you start your project . . . weave a sample or knit a swatch or spin a control or test dye a new color"? I know that the vast majority of you are saying, "I never sample". Am I right?
The hope of my post is to bring a more positive light on this subject by sharing thoughts and ideas beyond the usual approaches to sampling and swatching.
In my 2018 post, I wrote that I was starting a study of weft-faced pattern weaves following the book 'Tabby to Taqueté' by Nancy Hoskins. This book is a series of 53 lessons with a technique sampler accompanying each lesson. Sampler I is completed and I will share that later in the post.
But first, what is weft-faced weaving?
Earlier this month, in my first post of 2018, I shared my thoughts and plans for the coming year at Flora & Fiber. I've put the proverbial pencil to paper to bring those plans to life.
And that brings me to 'Alpaca - The Mini Series'.
While searching older Handwoven magazines for a project that would "stretch" my weaving skills, I came across a Beyond the Basics column.
This draft seemed like the perfect challenge, combining weaving with my love of flowers.