It’s been a while since I’ve done a ‘Let’s Weave . . .’ post where I take a look at a particular weave structure. Today’s exploration is basketweave.
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All tagged samplers
It’s been a while since I’ve done a ‘Let’s Weave . . .’ post where I take a look at a particular weave structure. Today’s exploration is basketweave.
. . . a color pyramid.
You likely are familiar with a color wheel which presents the colors (hues) and their relationships in an evenly spaced circular format.
After weaving the project samples for my book, I had a bit of an 8/4 cotton warp remaining on the loom. I perused my stack of Handwoven magazines and saved project files for some inspiration and decided upon weaving a little overshot on this remnant.
In February I wrote a post about Samples & Swatches. Today's project works perfectly for using small samples of stash fibers.
Today's Krokbragd sampler is the fifth in my study of Weft Faced Pattern Weaves using Nancy Hoskins book 'Tabby to Taqueté'.
Today's post goes into some of the details and insight I've gathered while weaving Samplers II, III, and IV from the book Weft-Faced Pattern Weaves-Tabby to Taqueté by Nancy Hoskins. This is a more technical post; still I hope everyone will find something interesting, or at the very least, you will enjoy the photos.
As fiber artists and crafters, how many times have we heard the admonition "before you start your project . . . weave a sample or knit a swatch or spin a control or test dye a new color"? I know that the vast majority of you are saying, "I never sample". Am I right?
The hope of my post is to bring a more positive light on this subject by sharing thoughts and ideas beyond the usual approaches to sampling and swatching.